Trionfo di Afrodite is a cantata called "concerto scenico" (scenic concert) written in 1951 by the German composer Carl Orff. It is part of Trionfi, the musical triptych that also includes Carmina Burana and Catulli Carmina. In this case, "Trionfo" refers to the Roman and Renaissance trionfo, meaning "procession" or "festival".
Like Igor Stravinsky's Les Noces, Trionfo di Afrodite describes rituals for a (in this case Greek-Roman) wedding. The texts are based on Latin wedding poems by Catullus, as well as Greek poems by Sappho and a small part by Euripides. Despite the large orchestra, the instrumentation is often sparse, especially in the Greek verses, and the music is strongly influenced by the rhythms and melodies of the spoken word.[1] The piece closes with a triumphant apparition of Aphrodite herself, a rare instance when the full choral and orchestral forces are actually used.
Apart from the orchestra, the piece calls for five soloists (SSTTB) and a large mixed chorus.
The work is divided into seven parts:
The work calls for a large orchestra with an enhanced percussion section, consisting of the following: